TIGERSONIC

Tigersonic

My WORK

Tigersonic

This is the stuff I make: music, videos, performances, collaborations, experiments, and whatever else I’m currently obsessed with.

I’m Felix X / Tigersonic — a sound artist, bass player and producer making quick, dirty, lively work across dub, electronics, improvisation, video and experimental sound.

A lot of what I make starts on the move and gets shaped later in my studio in Islington, where I also work as a Pro Tools engineer with other musicians. I like things with a bit of life left in them. Humans are analogue.

My work has been described as “groove-based abstractica for the restless and the curious” and “engaging, super-varied, dub-influenced electronica,” which is all fair enough.

I’ve been around the block a bit. My remix credits include General Levy, Asian Dub Foundation, Genetic Drugz and Nusrat Fateh Ali Khan for Navras Records. My music has turned up in Gary Oldman’s Nil by Mouth, in documentaries including Bobby Friction’s Generation 7/7, and in co-production work with Visionary Underground on Nitin Sawhney’s Fabric Live 13.

At the moment I’m deep in experimental sound, improvisation, performance, bass, electronics and collaboration — especially through London’s improvised and left-field music scenes.

Current mood :up !

Quick, dirty, lively work across dub, electronics, improvisation, video and experimental sound.

“Humans are analogue.”

Check out my latest TIGER GRRRR, where I explore if music can get you stoned. This short-play album packs 10 dubby tracks into 15 minutes, each under two minutes for those with busy schedules.

release date 29 May 2025

Current Projects

Etudes Study Group

A creative collaboration between Jo Morrison, Ningrui Liu (Akira), and Felix X Tigersonic, blurring the lines between sound, performance, costume and visual art.

C-WOT…

A sonic patchwork through dubwaves, stitched with experimental space rock, echoing chaos narratives and pushing out weird labyrinthine resonance.

I Ching Project

A collaboration with fellow filmmaker and music maker Ningrui Liu / Akira, using I Ching to generate ideas, sounds and video.

The Spirit of Gravity presents:
2025: Capture the moment
In April 2025, a call was circulated for submissions to a compilation for the
Spirit of Gravity BandCamp label on the theme “2025: Capture the moment”.
The call was answered by members of the Spirit of Gravity collective, their
close associates, and others from the wider experimental / electronic artist
community.

CURRENT PROJECTS

Etudes Study Group

Etude Study Group is a creative collaboration between Jo Morrison, Ningrui Liu (Akira ), and Felix X Tigersonic, blurring the lines between sound, performance, costume and visual art.

Inspired by Sharon Gal’s Etude cards, they explore improvisation with voices, bass and electronics.

Their performances are an ever-evolving journey into experimental music and visual storytelling.

Jo Morrison – vocals, objects
Ningrui Liu (Akira ) – spoken word and film
Felix X Tigersonic – bass and electronics

 GROTESQUALIZER review 

 Meet London producer and bass magician Felix Macintosh with a track that presents her intriguing new EP “GRRRR.” “Dirty Shiny Streets” is thick and smoky trippy dub. And you’re like a protagonist seen through Christopher Doyle’s psychedelic lens. Along with the cosmic spirits, you drift through the city neon night with its great secrets and mysterious neighbourhoods. The sound feels like transcendental pulsations, viscous lounge. Felix Macintosh has structured the song in a way that changes your perception inevitably. “Dirty Shiny Streets” is the music of the third eye in a concrete jungle.

DISCOGRAPHY

The Sunday Tribune spoke to Felix Tigersonic, known for curating industry alternative Meet-Up Smart MIx as well as producing and creating original sounds about her new release ‘Blipcuts’ for Linear Obsessional, Richard Sanderson’s adventurous SE London label.

TST: BLIPCUTS – such a great idea. And I love the result.  Straightforward, hard-hitting, glitchy sounds. Twenty tracks each under two minutes. Abstract, restless, sounds on the move. Where did the concept come from?

FT: I submitted a track for a Linear Obsessional compilation release.The parameters for inclusion  were basing it around the  MR James. Ghost story ‘A View from a Hill’, an old fave of mine,and making it exactly 2 minutes long . I love short form, so the idea of a  short tune for a short story was very appealing. I just carried on from there but it was a short tune with a short visual – blip cuts   I was very pleased when Richard Sanderson, the big boss at Linear Obsessional invited me to submit a cassette as he had kickstarted the idea.  read the rest of the interview here